Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanist protagonist, leads the last remaining men through Manchuria . Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines. Ultimately, he finds himself in the exact opposite position he held in the first episode: then a labor manager, Kaji is now a prisoner of war, forced to work for the Russians, whom do not seem to hold to the Communist ideals in which Kaji himself had put his faith. 非常值得一看。旧时不很理解梶一再为弱者挺身而出，终至灭顶。今日思或人道思想是近现代进步的发仞点。。《何以为人》：无法为人。FIFF4丨DAY8《人间的条件V&VI》何以为人，无法言说。sidenote: 创作人员战时经历。战争：恶者成妖魔，弱者为鱼肉，善者尸无塚！。日本在1950—60年代，居然能拍出这样的反战片，并且大卖。。日本在1950—60年代，居然能拍出这样的反战片，并且大卖。。未完待续。反思战争反思殖民，抗日神剧可以学学。 北满洲，梶等残败兵一个劲儿地向南逃。途中遇到逃难的男女老少，虽然帮助他们，但因饥饿疲劳一个个相继死去。梶历尽艰辛来到还残留着日本老人和女人的开拓村，他准备在这里和苏军作战，但是日本女人高喊“别在这里打仗了！”之后，他们开始了俘虏收容所的生活。梶对收容所里桐原这 个卑劣小人，恨之入骨。之后，他又被诬告，被罚作苦役。在森林中忍受苦役后，回到了收容所。当得知自己保护过的弱兵被桐原杀了后，且没被问罪，梶绝望了。他杀了桐原，然后逃出了收容所。他在大雪漫漫的荒原中流浪，念叨着妻子的美好，渐渐地冻僵了。
