The hero of \"Uncle Sasha\", director Alexander always lived only for himself, so that by the end of his life he would understand that he didn't have enough leftovers even for the last film in his career - In order to create his own film, he sucks out emotions from those around him. He lives in an idyllic house on the shore of a reservoir with his beautiful wife Elena, writes a script for pitching in the Cinema Foundation about spiritual bonds and co-sponsors the ideas of the State Duma deputy (in his place, maybe, for example, the head of the Ministry of Culture). But having quarreled with the producer, he removes what the truth wants. Strange guests, narcissistic actors, eccentric neighbors and the director himself are a reason for the author's irony, and sometimes sarcasm.
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